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Lesbian erotica is artistic depiction of Lesbian, which is the expression of female-on-female sexuality. Lesbianism has been a theme in erotic art since at least the time of ancient Rome, but much of the written material from the early modern period has been destroyed.
For much of the history of cinema and television, lesbianism was considered taboo. Since the 1960s, lesbian erotica has increasingly become a genre in its own right. Lesbian sexual content made its way into softcore movies and .
In the 1800s, in France, the influence of Charles Baudelaire is considered crucial, on literature as well as on the visual arts, though according to Dorothy Kosinski it was a matter not for the high arts but mostly for popular erotica.
Having all but disappeared during the Middle Ages, they made a comeback after the Renaissance. François Boucher and J. M. W. Turner were among the forerunners of 19th century artists who featured eroticism between women among their work. Like other painters (such as Jean-Honoré Fragonard), Boucher found inspiration in classical mythology. He was one of many artists to use various myths surrounding the goddess Diana, including the often-depicted story of Callisto, Diana's nymph who was seduced by Jupiter, with the god taking Diana's form since Callisto had vowed chastity.
In 19th century French art, lesbianism was often depicted within the context of orientalism, and was thus apt to be affected by the era's colonialism and imperialism; as a result, assumptions regarding race and class informed the images, especially when lesbianism was linked to harem and brothel scenes. Later depictions of lesbians in Western culture may reflect like cultural mores, or merely borrow from formal pictorial conventions.
In the second half of the 19th century, the lesbian theme was well-established, and its artists include Henri de Toulouse-Lautrec, Constantin Guys, Edgar Degas, and Jean-Louis Forain. Later artists include Gustav Klimt, Egon Schiele, Christian Schad, Albert Marquet, Balthus, and Leonor Fini. More explicit depictions were an important part of the work of erotic illustrators such as Édouard-Henri Avril, Franz von Bayros, Martin van Maële, Rojan, Gerda Wegener, and Tom Poulton. Explicit depictions of lovemaking between women were also an important theme in Japanese erotic shunga, including the work of such masters as Utamaro, Hokusai, Katsukawa Shunchō, Utagawa Kunisada, Utagawa Kuniyoshi, Yanagawa Shigenobu, Keisai Eisen, and Kawanabe Kyōsai.
In art photography and Fetish art, notable artists to work with lesbian themes include David Hamilton, Steve Diet Goedde and Bob Carlos Clarke. More recently, lesbian and bisexual photographers such as Nan Goldin, Tee Corinne, and Judy Francesconi have focused on erotic themes, reclaiming a subject that has traditionally been mainly treated through Male gaze.
During the 1970s, depictions of sex between women were largely restricted to semi-pornographic softcore and sexploitation films, such as Cherry, Harry & Raquel! (1970), Le Rempart des béguines (1972), Score (1974), Emmanuelle (1974), Bilitis (1977) and Caligula (1979). Although semi-explicit heterosexual sex scenes had been part of mainstream cinema since the late 1960s, equivalent depictions of women having sex only began making their appearance in mainstream film during the 1980s. These were typically in the context of a film that was specifically lesbian-themed, such as Personal Best (1982), Lianna (1983), and Desert Hearts (1985). The vampire film The Hunger (1983) also contained a seduction and sex scene between Catherine Deneuve and Susan Sarandon. Jacques Saurel's film "Joy et Joan" (1985) also belongs to this new more-than-softcore film performance.
Henry & June (1990) had several lesbian scenes, including one that was considered explicit enough to give the film an NC-17 rating. (There was some controversy as to whether the MPAA had given the film a more restrictive rating than it normally would have because of the lesbian nature of the scene in question.) Basic Instinct (1992) contained mild lesbian content, but established lesbianism as a theme in the erotic thriller genre. Later, in the 1990s, erotic thrillers such as Showgirls, Wild Side (1995), Crash (1996) and Bound (1996) explored lesbian relationships and contained explicit lesbian sex scenes.
The Showtime drama series The L Word (2004–2009) explores lesbian, bisexual, and transgender relationships, and contains numerous explicit lesbian sex scenes.
Male perception of lesbianism as erotic has been shown to correspond with recent exposure to lesbian pornography; however, men who have recently viewed lesbian pornography are no more likely than others to perceive lesbians as hypersexual and/or bisexual. Bernard E. Whitley Jr., et alii hypothesized, upon reaching this conclusion, that "pornography may ... lead heterosexual men to view lesbianism as erotic by means of a generalized association of female-female sexual activity with sexual arousal", but noted that "more research is needed to clarify the relationship between exposure to pornography and the perceived erotic value of lesbianism."
Several studies suggest that men who perceive lesbianism as erotic may have less negative attitudes toward lesbians than they do toward gay men. Studies have further shown that, while men tend to correlate lesbianism with eroticism more often than women do, women perceive male homosexuality as erotic no more often than men do.
Some lesbians are even consumers of mainstream pornography, but many dislike what they perceive as inaccurate and stereotypical depictions of women and lesbianism in mainstream pornography. Some are also uncomfortable with male interest in lesbians. As of the early 2000s, there is a very strong lesbian erotic literature movement, as well as a small genre of pornography made by lesbians for a lesbian audience.
An increasing amount of Gay literature has been released in recent decades, written by women and usually for women. There is a large sub-category of this erotica that involves various queer relationships while also including bisexuality and transgender characters into the writing. By introducing various other identities and sexualities, it opens up the erotica world to more gender-fluidity and acceptance of other queer or non-heteronormative sexualities.
== Illustrations depicting lesbian erotica ==
19th-century developments
In the 19th century, lesbianism became more openly discussed and found its way into many fields of art. Auguste Rodin's illustrations for Baudelaire's Les Fleurs du Mal included lesbian scenes. Gustave Courbet's Le Sommeil (1866) illustrates a scene from the 1835 story "Mademoiselle de Maupin" by Théophile Gautier (though Baudelaire's "Delphine et Hippolyte" from Les fleurs is also cited as an inspiration), depicting two women asleep after love-making. Its lesbian subject matter was controversial enough to be the subject of a police report in 1872, (1988). 9780300042986, Brooklyn museum. ISBN 9780300042986 but Courbet's painting is credited with inspiring others to depict "sapphic couples", which in turn led to "softening taboos by revealing love between women and forcing society to see those whom it regarded as deviants and sinners." Nonetheless, the audience for such artwork was predominantly male (Courbet's painting was commissioned by a profligate Turkish diplomat), therefore "the term lesbian should perhaps be provided with quotation marks, insofar as we are dealing with images made by men, for men, and in which the very disposition of the women's bodies declares that they are arranged more for the eyes of the viewer than for those of one another." (1988). 9780300042986, Brooklyn museum. ISBN 9780300042986 In the twentieth century the image's sensuality would appeal to lesbian viewers as well.
Cinema and television
Lesbian and erotic themes were restrained or coded in early cinema. Even scenes suggestive of lesbianism were controversial, such as the presentation of women dancing together in Pandora's Box (1929) and The Sign of the Cross (1932). Pandora's Box is notable for its lesbian subplot with the Countess (Alice Roberts) being defined by her masculine look and because she wears a tuxedo. Lesbian themes were found in European films such as Mädchen in Uniform (1931). By the mid-1930s, the Hays Code banned any homosexual themes in Hollywood-made films and several pre-Code films had to be cut to be re-released. For example, The Sign of the Cross originally included the erotic "Dance of the Naked Moon", but the dance was considered a "lesbian dance" and was Re-edited film for a 1938 reissue. Even suggestions of a romantic attraction between women were rare, and the "L-word" was taboo. Lesbianism was not treated in American cinema until the 1962 release of Walk on the Wild Side in which there is a subtly implied lesbian relationship between Jo and Hallie. Depictions of lovemaking between women first appeared in several films of the late 1960s – The Fox (1967), The Killing of Sister George (1968), and Therese and Isabelle (1968).
Pornography
In pornography, depictions of lesbian sex form a popular subgenre, often directed toward Male gaze Heterosexuality audiences. They are also increasingly developed for lesbian and Bisexuality audiences. Moreover, it has been found that this porn category is preferred by many heterosexual females as well.
Lesbianism is an important theme in both hardcore and softcore pornography, with numerous adult video titles, websites, and studios (such as Girlfriends Films and Sweetheart Video) devoted entirely to depictions of sexual activity between women. In Japanese adult video, lesbianism is considered a Sexual fetishism. Rezu (レズ—lesbian) is a specialized genre, though a large number of such videos are produced. Lesbian pornography is predominantly aimed at a male audience worldwide, with a smaller female audience in total. Although the percentage of female viewers who prefer lesbian porn is generally bigger than that of male viewers' with the same preference.
Views on lesbianism in erotica
Effects on heterosexual men
The topic of how men respond to lesbian erotica has been studied extensively.
Several penile plethysmography studies have shown high levels of arousal in heterosexual men to lesbian-themed pornography. Findings differ as to whether heterosexual men typically prefer heterosexual-themed pornography or lesbian-themed pornography.
Feminist views
Lesbian views on sex between women in erotica are complex. Historically, women have been less involved in the production and consumption of erotica in general and visual pornography in particular than have men. Since the late 1960s, radical feminist objections to pornography and the sexual objectification of women have influenced the lesbian community, with some feminists objecting to all pornography. However, since the end of the 1980s' "Feminist Sex Wars" and the beginning of the "women's erotica" movement, feminist views on pornography, both lesbian and heterosexual, have shifted.
]], Sappho partakes in cunnilingus (by Édouard-Henri Avril)]], 1864]], Gouache]] painting of two women engaging in mutual Manual sex]]]]
See also
Works cited
Further reading
(2026). 9782911621949, Blanche. ISBN 9782911621949
(1993). 9780813519388, Rutgers University Press. ISBN 9780813519388
(2026). 9780415927116, Routledge. ISBN 9780415927116
(1984). 9780918432582, Zoetrope. ISBN 9780918432582
(1992). 9780745011677, Harvester Wheatsheaf. ISBN 9780745011677 (1999). 9780231104470, Columbia University Press. ISBN 9780231104470
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